Fotografie des 19. – 21. Jahrhunderts (Katalog nur online verfügbar)

NASA
View of Modular Equipment Transporter on the lunar surface taken from inside the Lunar Module, Apollo 14
Los 4244

Schätzung
750€ (US$ 852)

Details

View of Modular Equipment Transporter on the lunar surface taken from inside the Lunar Module, Apollo 14. Feb. 6, 1971. Vintage chromogenic print. 18,5 x 17,8 cm (sheet 20,5 x 25 cm). Red "AS14-66-9340" number in upper left in margin; purple NASA logo and press text as well as "A Kodak Paper" watermark on the verso.



Literatur: Neil Pearson, ed. Apollo VII-XVII. Kempen: teNeues, 2018, ill. p. 182.

NASA
Charles Duke at the rim of Plum Crater
Los 4245

Schätzung
750€ (US$ 852)

Details

Photographer: John Young (1930-2018). Charles Duke at the rim of Plum Crater, Apollo 16. April 1972. Vintage chromogenic print on glossy Kodak RC paper. 20 x 25,5 cm. Purple NASA logo and press text on the verso.



Literatur: Terry Hope. Spacecam: Photographing the Final Frontier from Apollo to Hubble. Hove: Rotovision, 2005, ill. p. 27.

NASA
Astronaut Thomas K. Mattingly II, command module pilot, performs an extravehicular activity (EVA) during the Apollo 16 trans-Earth coast, Apollo 16
Los 4246

Schätzung
600€ (US$ 682)

Details

Astronaut Thomas K. Mattingly II, command module pilot, performs an extravehicular activity (EVA) during the Apollo 16 trans-Earth coast, Apollo 16. April 25, 1972. Vintage chromogenic print. 17,5 x 24 cm (sheet 20,2 x 25,1 cm). Red "S-72-37001" number in upper left in margin; "A Kodak Paper" watermark on the verso.

Astronaut Thomas K. Mattingly II is assisted by astronaut Charles M. Duke Jr., the lunar module pilot, during an extravehicular activity. Mattingly is inspecting the Service Module’s SIM bay and retrieving film from the mapping and panoramic cameras.

NASA
Charles Duke, Lunar Grand Prix at Descartes Base, EVA 1, Apollo 16. April 1972
Los 4247

Schätzung
900€ (US$ 1,023)

Details

Photographer: John Young (1930-2018). Charles Duke, Lunar Grand Prix at Descartes Base, EVA 1, Apollo 16. April 1972. Vintage large-format chromogenic print on Kodak paper. 26,2 x 34 cm. "A Kodak Paper" watermark on the verso.

In this image, the Lunar Rover is being tested by astronaut John Young during the Grand Prix run at the end of the first EVA at the Descartes landing site. Young is driving toward the Lunar Module, testing how the vehicle handles in the Moon’s one-sixth gravity, with dust clearly visible being thrown up by the wheels.

NASA
John Young Beyond LM Orion and Rover at Descartes Base, Apollo 16.
Los 4248

Schätzung
750€ (US$ 852)

Details

Photographer: Charles Duke (b. 1935). John Young beyond LM Orion and Rover at Descartes Base, Apollo 16. April 1972. Vintage chromogenic print. 18 x 18 cm (sheet 20,2 x 25,2 cm). Red "AS16-107-17436" number in upper left in margin; "A Kodak Paper" watermark on the verso.

An excellent view of the Lunar Module Orion and the Lunar Roving Vehicle, photographed by astronaut Charles M. Duke Jr., lunar module pilot, during the first Apollo 16 extravehicular activity (EVA-1) at the Descartes landing site. Astronaut John W. Young, commander, can be seen directly behind the LRV. The lunar surface feature in the left background is Stone Mountain.

NASA
Harrison Schmitt in the LRV, Apollo 17. Dec. 11,1972
Los 4249

Schätzung
750€ (US$ 852)

Details

Photographer: Eugene A. Cernan (1932-2017). Harrison Schmitt in the LRV, Apollo 17. Dec. 11, 1972. Vintage chromogenic print. 18 x 18 cm (sheet 20,2 x 25,1 cm). Red "AS17-134-20454" number in upper left in margin; "A Kodak Paper" watermark on the verso.

The image shows Harrison Schmitt seated in the Lunar Roving Vehicle at Station 9 (Van Serg Crater) during the third Apollo 17 extravehicular activity at the Taurus-Littrow landing site. It was taken by astronaut Eugene A. Cernan, Commander. Schmitt, Lunar Module Pilot and Cernan explored the moon while astronaut Ronald E. Evans, Command Module Pilot, remained with the Command and Service Modules in lunar orbit.

Literatur: Neil Pearson, ed. Apollo VII-XVII. Kempen: te Neues, 2018, ill. p. 267 (variant).

NASA
Harrison Schmitt in the LRV, Apollo 17. Dec. 11,1972
Los 4250

Schätzung
750€ (US$ 852)

Details

Photographer: Eugene A. Cernan (1932-2017). Harrison Schmitt at Station 6 (base of North Massif) during the third Apollo 17 extravehicular activity (EVA-3). Apollo 17. Dec. 11, 1972. Vintage chromogenic print. 18 x 18 cm (sheet 20,2 x 25,1 cm). Red "AS17-146-22294" number in upper left in margin; "A Kodak Paper" watermark on the verso.

Scientist-astronaut Harrison H. Schmitt is photographed standing next to a large split boulder at Station 6 (base of North Massif) during the third Apollo 17 extravehicular activity (EVA-3) at the Taurus-Littrow landing site on the Moon. The Lunar Roving Vehicle (LRV) can be seen in the left foreground.

NASA
Apollo Soyuz Test Project ASTP
Los 4251

Schätzung
500€ (US$ 568)

Details

Apollo Soyuz Test Project ASTP. July 15-24,1975. Vintage chromogenic print on RC paper. 18 x 18 cm (sheet 20,2 x 25 cm). Red NASA number "AST-2-093" in upper left in margin; "A Kodak Paper" watermark and purple printed NASA text on the verso.

NASA
Astronaut Bruce McCandless floating untethered in space during the STS-41B mission, Challenger. Feb. 7,1984
Los 4252

Schätzung
750€ (US$ 852)

Details

Astronaut Bruce McCandless floating untethered in space during the STS-41B mission, Challenger. Feb. 7, 1984. Vintage chromogenic print on RC paper. 19 x 19 cm (sheet 20,2 x 25 cm). "This Paper Manufactured by Kodak" watermark on the verso.

Nelly
The Acropolis, general view of the Parthenon
Los 4253

Schätzung
750€ (US$ 852)

Details

The Acropolis, general view of the Parthenon. 1930. Vintage brown-toned gelatin silver print, mounted to board. 21,6 x 15,7 cm. Signed by the photographer in ink in lower right on the mount. Mounted in mat.

The Greek photographer Elli Souyoultzoglou, who worked under the name Nelly, trained in Dresden under Hugo Erfurth and Franz Fiedler. She returned to Athens in 1924 and, in 1925, began photographing Greek refugees from Asia Minor. In 1926, she exhibited bromoil prints from this series in her studio under the title “The Sorrows of the Refugees.” She also produced numerous images of the Acropolis and the Parthenon.

Literatur: Matthias Harder. Nelly: Dresden, Athens, New York. Munich: Prestel, 2001, see plates 35-36 (similar images).

Pictorialism
Fishing in harbor; Harbor
Los 4254

Schätzung
750€ (US$ 852)

Details

Photographer: Carlo Baravalle (1888-1958). Fishing in Harbor; Harbor. 1920s. 2 vintage gelatin silver prints, mounted to original boards. Each ca. 29,5 x 39,5 cm. Each signed by the photographer in pencil below the image on the mount; each with exhibition label (1929/1933) and annotated in pencil on mount verso.

Carlo Baravalle was an Italian lawyer, photographer, and civic figure based in Volpedo. Trained in law and active as a criminal defense attorney, he combined his professional career with wide-ranging interests, including photography and horticulture in the Curone and Grue valleys. A key figure in Italian pictorialist photography, he co-founded the Gruppo Piemontese per la Fotografia Artistica in 1921 with Stefano Bricarelli and Achille Bologna, and in 1924 helped relocate the journal Il corriere fotografico from Milan to Turin. He also served as mayor of Volpedo from 1914-1920, reflecting his strong engagement in local civic life.

Pictorialism
Child Study; Portrait of a woman
Los 4255

Schätzung
800€ (US$ 909)

Details

Photographers: Will Cadby (1866-1937) and unknown. Child Study; Portrait of a Woman. Ca. 1910. 1 vintage gelatin silver print and 1 carbon print, both mounted to original paper/board. Each ca. 21 x 16 cm. 1 signed by the photographer in pencil in the lower left; 1 with an annotated label; each annotated “Matthies-Masuren Halle” in pencil on the mount verso.

Will Cadby began photographing in 1891 and quickly gained recognition, exhibiting from 1893 at venues such as the London Photographic Salon, the Photographic Society, and the Bristol International. He and his wife, Carine Cadby, both showed work at the 1894 London Salon and later collaborated on a series of children’s books illustrated with his photographs.

Platt Lynes, George
Reclining male Nude against wall in oval
Los 4256

Schätzung
1.200€ (US$ 1,364)

Details

Reclining male nude against wall in oval. Circa 1949. Vintage gelatin silver print. 19 x 23,4 cm. Annotated in pencil on the verso. Framed under glass in silver frame.

George Platt Lynes is widely regarded as one of the leading photographers of the 20th century. While he achieved commercial success in fashion and portrait photography in New York, his artistic legacy is defined above all by his refined and often highly stylized studies of the male nude, produced from the 1930s until his death in 1955. Working in carefully staged studio settings, Lynes employed inventive lighting, precise posing, and controlled cropping to articulate both the physical form and the psychological presence of his subjects, resulting in images of striking formal elegance and intimacy.

Platt Lynes, George
The dancers Marie-Jeanne & Nicholas Magallanes; Orpheus ballet scene
Los 4257

Schätzung
1.200€ (US$ 1,364)

Details

The Dancers Marie-Jeanne & Nicholas Magallanes; Orpheus, Ballet Scene. 1941; 1950. 2 gelatin silver prints, printed 2000/2005. 27,5 x 22,4 cm and 22 x 27,3 cm. Each with the photographer’s estate studio stamp, therein annotated in pencil and editioned “2/25” and “1/25” on the verso.

Prince, Len
Eduardo Pos. No. 1
Los 4258

Schätzung
1.000€ (US$ 1,136)

Details

Eduardo Pos. No. 1. 1991. Toned gelatin silver print. 60,5 x 50,5 cm. Photographer's/copyright blindstamp in lower right corner, signed, titled, dated and numbered "1/10" by the photographer in pencil on the verso.

In 1972 Len Prince moved to New York City and began photographing professionally. His work, which was published in such magazines as Interview, Vanity Fair and InStyle, includes celebrity portraiture, fashion, nudes, still life and cityscapes. He often depicts his models in dynamic poses or employs expressive close-ups, giving his work an exceptional energy.