Photographer: Raymond Voinquel and unknown. Erich von Stroheim in different film roles. 1937, 1949. 3 vintage ferrotyped gelatin silver prints. 29 x 23 cm, 1 smaller. Each with blindstamp in upper corner, 2 annotated in ink on the verso.
The stills are for the films "Portrait of an Assasin" (1949) and "Alibi"(1937). – A few light pressure marks/ handling creases, one with retouching for publication, otherwise in good condition.
Photographer: Sal Terra-Cina, Photo N.Y. (Salvador Terracina 1910-1995). Head shots of young actors. 1950s. 2 oversized vintage gelatin silver prints. 35 x 28 cm. Photographer's name in the negative in lower corners.
Corners bumped, one with two tears in lower edge, one with tear in right edge, otherwise rich tonal prints in very good condition.
Telephone operators. Late 1940s. 2 vintage gelatin silver prints. 31,5 x 29 cm and 28 x 27 cm. Photographer's stamp on the verso, 1 mounted to board, photographer's stamp on mount verso.
In very good condition.
Shoe advertisement. 1940s. Vintage warm-toned gelatin silver print. 39 x 25 cm. Photographer's stamp and annotated in pencil on the verso.
Minimal edge wear, small creases in lower left corner, some spots in upper area, otherwise in very good condition.
Fleischmann, Trude
Portrait of the actress Helene Thimig as Cordelia in King Lear
Los 4157
Ergebnis (inkl. Aufgeld) *
475€ (US$ 495)
Portrait of the actress Helene Thimig as Cordelia in King Lear. Circa 1929. Vintage warm-toned gelatin silver print on carte postale. 12,2 x 6,2 cm. Photographer's blindstamp in lower left and signed by the photographer in pencil in lower margin.
In very good condition.
Fashion photo for Uli Richter. 1950. Vintage gelatin silver print on Agfa-Brovira paper. 29,2 x 23,5 cm. Annotated in ink/pencil, layout marks in pencil and Pinguin magazine stamp on the verso.
Crease in lower right corner, some discoloration, a few surface scuff marks, traces of previous mounting on the verso, otherwise in good condition.
Provenance: The estate of Uli Richter
Zürich. 1981. Dye transfer print. 50,5 x 33,8 cm (57,5 x 48,8 cm). Signed, titled and editioned12/15 by the photographer in black ink and photographer's blindstamp in lower margin.
In near excellent condition.
Naturalism movement. 1940. Vintage chromogenic print on Agfa-Color paper. 29 x 21 cm. Number and annotated in penil on the verso.
Along with Heinrich Hoffmann, the cameraman and photographer Walter Frentz was one of the most important propaganda photographers during the Third Reich. In the 1930s-1940s he worked as a cameraman for Leni Riefenstahl. He was one of the few photographers allowed in Hitler's closer circle and the more private photos he made of Hitler were never intended for publication. Frentz took part in the early experiments with color paper in Leverkusen. – In excellent condition.
F.S.A.
Washroom in the Dog Run of Floyd Burroughs, Home, Hale County, Alabama; Kitchen Wall
Los 4162
Ergebnis (inkl. Aufgeld) *
750€ (US$ 781)
Photographer: Walker Evans (1903-1975). "Washroom in the Dog Run of Floyd Burroughs, Home, Hale County, Alabama"; "Kitchen Wall, Alabama Farmstead". 1936/printed 1970s by the Library of Congress. 2 ferrotyped gelatin silver prints on Kodak paper. 25,5 x 20,6 cm and 20,5 x 25,4 cm. Each annotated and with number notations in pencil as well as Reproduced from the collection of the Library of Congress and other archive stamp on the verso.
Some handling marks/dents, a few stronger, otherwise in good condition.
Provenance: Galerie Taube, Berlin
Exhibition: "Die USA der dreißiger Jahre in Fotografien", Galerie Taube, Berlin Sept.4 - Oct. 2,1976.
Lit.: John T. Hill/Gilles Mora. Walker Evans. Der unstillbare Blick. Munich 1993, ill. p. 206, 209.
John T. Hill. Walker Evans: Lyric Documentary. Göttingen 2006, ill. p. 182, 197.
Bergemann, Sibylle
Fashion photograph; Unidentified editor
Los 4163
Ergebnis (inkl. Aufgeld) *
1.000€ (US$ 1,042)
Fashion photograph; Unidentified editior. 1980s. 2 vintage gelatin silver prints. 24 x 30 cm and 37 x 28 cm.
In the 1970s-1980s Sibylle Bergemann photographed fashion for the East German fashion magazine Sibylle. The prints offered here are from this period.
Berlin. 1980s. Vintage ferrotyped gelatin silver print. 23,8 x 17,7 cm. Photographer's stamp on the verso.
Lower left corner bumped, light handling mark in lower right area, otherwise in very good condition.
Provenance: The estate of the photographer
Christel, Detlef B.
Destruction of old buildings, Berlin
Los 4166
Ergebnis (inkl. Aufgeld) *
625€ (US$ 651)
Destruction of old buildings, Berlin. 1980s. Vintage ferrotyped gelatin silver print. 29 x 40 cm. Flush-mounted to board, photographer's stamp on mount verso.
Some surface pitting, otherwise in very good condition.
Provenance: The estate of the photographer
Hofmusikant. 1950/ printed later. Gelatin silver print on doubleweight paper. 27 x 37 cm. Signed and annotated by the photographer in pencil on the verso.
A very early work by Arno Fischer. – A few light handling marks, one crease in lower portion, otherwise in very good condition.
"Müritz". 1956/printed 1980s. Gelatin silver print. 16,5 x 24,8 cm (19,5 x 28,4 cm). Titled and signed by the photographer in pencil on the verso.
Some handling marks/creases and slightly soiled in margins, otherwise in very good condition.
Lit.: Elke aus dem Moore/Matthias Flügge (eds.). Arno Fischer. Fotografie (exhibition catalogue). Ostfildern 2009, ill. p. 65.
Streetlife in Moscow. 1967. 11 vintage gelatin silver prints. 30 x 20 cm. Each with Sibylle paper label and protective cover sheet attached to the verso.
In 1962 Arno Fischer became part of the editorial team of Sibylle, which was the most popular and almost only lifestyle magazine in the GDR, primarily dedicated to fashion. The magazine was unique in the GDR because its photographers were able to freely develop their artistic activities despite the authoritarian regime. – Some light handling creases, otherwise in good condition.
Provenance: Sibylle Archive
East Berlin. 1969. Vintage gelatin silver print. 24 x 30 cm. Signed and annotated by the photographer in pencil on the verso.
A few light handling marks, otherwise in very good condition.
Lit.: Elke aus dem Moore (ed.). Arno Fischer. Fotografie (exhibition catalogue). Ostfildern 2009, ill. p. 62.
Fischer, Arno
"Hemdblusenkleider, synthetische Wirkware mit Lurexeffekt" (Märchenbrunnen, Berlin)
Los 4172
Ergebnis (inkl. Aufgeld) *
1.375€ (US$ 1,432)
"Hemdblusenkleider, synthetische Wirkware mit Lurexeffekt" (Märchenbrunnen, Friedrichshain, Berlin, 1970). Vintage gelatin silver print. 40 x 30 cm. Annotated in pencil on the verso.
Slightly buckled in lower edge, otherwise in very good condition.
Provenance: Sibylle Archive
Fischer, Arno
Reportage photo series of India
Los 4173
Ergebnis (inkl. Aufgeld) *
938€ (US$ 977)
Reportage photo series of India. 1978. 6 vintage gelatin silver prints on doubleweight paper. Each circa 40 x 30 cm.
Edges slightly curled, some with light soil marks in margins, otherwise in very good condition.
Provenance: Arno Fischer Archive
Window. 1970s. Vintage gelatin silver print. 24,5 x 18 cm (40 x 30 cm). Signed by the photographer in ballpoint pen in lower right corner; signed by the photographer in ballpoint pen on the verso.
Some handling marks in margins, remnants of glue from mounting on the verso, otherwise in good condition.
Portrait of two women. 1980s. Vintage sepia-toned gelatin silver print. 32 x 22,5 cm. Photographer's stamp on the verso.
From East Berlin, Sven Marquardt started his training as a photographer and cameraman at the DEFA studios. After his first publications in the magazines Sonntag and Das Magazin from 1985-1986, he was the assistant of Rudolf Schäfer. He worked as a fashion photographer until the late 1980s for Sibylle together with Roger Melis and Arno Fischer, and he became known for documenting the subculture of the GDR. After the reunification of Germany he stopped photographing for a period and worked as a bouncer at the Berlin club Berghain, where he soon became a symbolic figure of the club culture. His work has been featured in several exhibitions, and he continues to photograph today. – Corners bumped with small creases, a few light handling creases, some watercolor marks in upper left margin, otherwise in good condition.
Provenance: Directly from the photographer to the current owner.
Nudes. 1980s. 2 vintage gelatin silver prints. Each circa 37,5 x 25,5 cm. Each signed by the photographer in pencil in lower margin.
Each with bumped corners, one with some light handling marks/fold marks, one with backed larger tear in right edge (6 cm) into image, creases in upper right and upper mid section, retouched emulsion loss in upper left edge, some remnants of tape in right edge, a few light handling marks.
Provenance: Directly from the photographer to the current owner.
Woman and Great Dane. 1980s. Vintage gelatin silver print. 39,7 x 26,8 cm. Signed by the photographer in pencil in lower margin.
Corners bumped/frayed, two creases in lower right corner, a few light handling marks, otherwise in good condition.
Provenance: Directly from the photographer to the current owner.
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Galerie Bassenge
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Montag bis Donnerstag, 10–18 Uhr,
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Telefon: +49 30 8938029-0
Fax: +49 30 8918025
E-Mail: info (at) bassenge.com
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© 2024 Galerie Gerda Bassenge
Galerie Bassenge
Erdener Str. 5A
14193 Berlin
Öffnungszeiten:
Montag bis Donnerstag, 10–18 Uhr,
Freitag, 10–16 Uhr
Telefon: +49 30 8938029-0
Fax: +49 30 8918025
E-Mail: info (at) bassenge.com
Impressum
Datenschutzerklärung
© 2022 Galerie Gerda Bassenge