Fashion photos. 1989. 2 vintage gelatin silver prints. 27,5 x 18,5 cm (30 x 24 cm).
The East German fashion photographer Hartmut Beil was a student of Arno Fischer. Among other subjects he photographed the peace movement in the former GDR and many of his fashion photos were published in magazines such as Sibylle. – Several dents and handling creases, otherwise in good condition. With: Sibylle magazine, issue 5, 1990 (both images illustrated).
Lit.: Sibylle, 1990, issue 5, ill. pp. 34 and 36.
Bergemann, Sibylle
Outdoor scenes in Arno Fischer's garden
Los 4134
Schätzung
900€ (US$ 968)
Outdoor scenes in Arno Fischer's garden. 1990s. 2 vintage Polaroid photos. Each circa 10,5 x 9 cm. Each with handwritten label on verso.
Sibylle Bergemann rose to prominence as a significant figure in the field of East German photography, demonstrating a remarkable ability to capture the lives of everyday citizens during the Berlin Wall era. Her unique talent resided in her skill to evoke deep emotions and craft compelling stories within her photographs, effortlessly blending artistic expression with the authenticity of documentary photography. Bergemann's Polaroid snapshots possess a distinctive charm, expertly capturing the spontaneity of transient moments. – Both prints with slight fading/discoloration, some light soiling in margins, otherwise in good condition.
Model. 1990s. Vintage polaroid photo. 11 x 8,5 cm. Handwritten label on verso.
Some light surface rubbing, more visible at an angle, otherwise in very good condition.
Borchert, Christian
Regenschauer am S-Bahnhof Nöldnerplatz
Los 4136
Schätzung
1.200€ (US$ 1,290)
Regenschauer am S-Bahnhof Nöldnerplatz. 1971. Gelatin silver print, printed later. 18,8 x 28,8 cm (20,2 x 29,8 cm. Signed, titled and dated by the photographer in pencil and photographer's/copyright and Galerie om Alten Museum edition label (2/30) on verso.
Regenschauer am S-Bahnhof Nöldnerplatz is one of Christian Borchert's most iconic images and was taken outside his studio window. – Corners slightly bumped, one light handling dent lower right, otherwise in very good condition.
Lit.: Karl Gernot Kuehn. Caught. The Art of Photography in the German Democratic Republic. Berkeley 1997, ill. p. 114.
From the series "Die Galeristen". 1991. 3 vintage ferrotyped gelatin silver prints. Each circa 24 x 18 cm. Each titled by the photographer in ink in lower margin; each signed and dated by the photographer in ink on the verso.
Slight irregularities to ferrotype surface, corners with small creases, a few handling marks, otherwise in good condition.
Two boys with dogs, Berlin. 1978-80. Vintage gelatin silver print . 25,5 x 30 cm (28 x 42 cm). Mounted to board, photographer's stamp on mount verso.
Detlef Christel studied photography at the Hochschule für Grafik und Buchkunst Leipzig from 1976-1981. Following his education, he worked as a photojournalist for the magazine Freie Welt from 1982-1991, with a strong emphasis on documenting the lives of children in the former GDR as they transitioned into adulthood. His candid portrayals of everyday moments capture the emotional and social situations of his subjects, providing a nuanced perspective on life in East Germany during a period of profound political and social change. – Some light scuff marks and surface irregularities, otherwise in very good condition.
Kids, Berlin. 1978-80. 3 vintage ferrotyped gelatin silver prints. Each between 21 x 19 cm and 23 x 21 cm. Each with photographer's stamp on verso.
Some surface scuff marks, otherwise in excellent condition.
Kids, Berlin. 1978-80. 3 vintage ferrotyped gelatin silver prints. Each ca. 29 x 21 cm. Photographer's stamp on verso.
Some minor surface scuff marks, otherwise in excellent condition.
Fischer, Arno
Ostberlin, Besuch von N.S. Chruschtschow (Leninallee)
Los 4141
Schätzung
900€ (US$ 968)
Ostberlin, Besuch von N.S. Chruschtschow (Leninallee). 1957. Gelatin silver print on doubleweight paper, printed 1980s. 23,6 x 34,2 cm. Signed, annotated and dated (1958) by the photographer in pencil as well as photographer's stamp on the verso.
Arno Fischer's documentary-style photographs of both East and West Berlin offer a timeless glimpse into the challenges and resilience of the city's inhabitants during this period. They represent valuable historical records as well as works of art. – Light crease in upper left corner, corners bumped, retouched spot and small dent in upper left, otherwise a strong print in very good condition.
Lit.: Elke aus dem Moore/Matthias Flügge (eds.). Arno Fischer. Fotografie (exhibition catalog). Ostfildern 2009, ill. p. 52.
Müritz-DDR. 1956. Gelatin silver print, printed 1990s. 27,5 x 42,2 cm (36,5 x 48,5 cm). Titled, signed and dated by the photographer in pencil on the verso.
A few light handling dents, traces of previous mounting on verso, otherwise in very good condition.
Lit.: Elke aus dem Moore/Matthias Flügge (eds.). Arno Fischer. Fotografie (exhibition catalog). Ostfildern 2009, ill. p. 65.
West-Berlin, Kurfürstendamm. 1958. Gelatin silver print on doubleweight paper, printed 1980s. 23,2 x 34,2 cm. Signed and dated by the photographer in pencil and photographer's stamp on the verso.
A few minimal dents, otherwise a strong print in very good condition.
Lit.: Elke aus dem Moore/Matthias Flügge (eds.). Arno Fischer. Fotografie (exhibition catalog). Ostfildern 2009, ill. p. 36.
Fashion photographs, Berlin. 1960s. 2 vintage gelatin silver prints hinge-mounted to board. Each circa 40 x 30 cm (50 x 40 cm).
Some buckling, light pressure marks and handling creases, otherwise in very good condition.
Provenance: From the estate of Arno Fischer.
Fashion photographs, Berlin. 1960s. 2 vintage gelatin silver prints hinge-mounted to board. Each circa 40 x 30 cm (50 x 40 cm).
Some buckling, light pressure marks and handling creases, otherwise in very good condition.
Provenance: From the estate of Arno Fischer.
Fashion photographs, Budapest. 1960s. 2 vintage gelatin silver prints hinge-mounted to board. Each circa 40 x 30 cm (50 x 40 cm).
Some buckling, scuff marks and creases on one print, the other with buckling and traces of previous mounting, otherwise both in good to very good condition.
Provenance: From the estate of Arno Fischer.
Leipzig. 1983. Archival pigment print on Hahnemühle Baryta paper, printed 2017. 28,8 x 43,5 (32,8 x 48,2 cm). Photographer's copyright stamp as well as signed, titled and dated by the photographer in pencil on verso.
Gerhard Gäbler is known for his black and white photographs documenting everyday life in the GDR. Originally trained as a chemist, he later studied photography, turning his lens to his immediate environment and capturing life under communist rule in all its nuances. His work is featured in collections such as the Museum of Fine Arts, Houston, and the International Center of Photography. – In excellent condition.
Lit.: Gerhard Gäbler. Zeit ohne Wiederkehr: Fotografien 1978-1989. Leipzig: Lehmstedt Verlag, 2015. ill. p. 16.
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Galerie Bassenge
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Montag bis Donnerstag, 10–18 Uhr,
Freitag, 10–16 Uhr
Telefon: +49 30 8938029-0
Fax: +49 30 8918025
E-Mail: info (at) bassenge.com
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© 2024 Galerie Gerda Bassenge
Galerie Bassenge
Erdener Str. 5A
14193 Berlin
Öffnungszeiten:
Montag bis Donnerstag, 10–18 Uhr,
Freitag, 10–16 Uhr
Telefon: +49 30 8938029-0
Fax: +49 30 8918025
E-Mail: info (at) bassenge.com
Impressum
Datenschutzerklärung
© 2022 Galerie Gerda Bassenge