90th New York State Legislature 1867
Assembly Members of the 90th New York State Legislature1867
Los 4061 [*]
Schätzung
1.800€ (US$ 1,935)
Commemorative album for Samuel M. Purdy, member of the New York State Assembly 1867-68. Half leather album (some stronger moisture stains, especially on back cover, edges/corners rubbed) with owner's name Samuel M. Purdy gilt-stamped on the cover. With 140 mounted CDV-sized portraits, three larger portraits in oval (19 x 13.3 cm) from ca. 1867, a lithograph of Grover Cleveland and 2 unknown late portraits 1880s. With ca. 133 signatures in ink on the album pages below the images.
This album originates from the personal estate of Samuel M. Purdy of Westchester County, NY, who served in the New York State Assembly from 1867-68. The 1866 New York State election was held on November 6, with assembly members elected for one year and senators for two years. The album opens with a mounted lithograph of future U.S. President Grover Cleveland opposite the title page, followed by a larger portrait of Reuben E. Fenton, Governor of New York from 1865-68 and U.S. Senator from 1869-75. Other notable figures include Stewart L. Woodford, Lieutenant Governor of New York (1867-69), and Edmund L. Pitts, Speaker of the Assembly in 1867. Several CDV portraits are autographed in black ink, including prominent names like Ornon Archer, Stephen Baker, Samuel M. Barker, and others, documenting a wide array of political figures from the period. This album provides a rich historical record of New York State political leadership during the late 1860s. – Most photos with fading in edges as well as spotting within images, album pages with staining and some foxing.
Photographers: Numa Blanc (1816-1897) and others. Group portraits. 1850s-1860s. 3 salted paper prints, 1 albumen print. 21 x 18 cm and smaller. Each mounted to original studio card (edges time-stained, some foxing spots), each annotated in pencil on mount.
One with paper loss in corners, rubbed areas, one faded, otherwise most in good condition.
Photographers: Lehnert & Landrock (active 1904-1930), Neurdein Frères (active 1864-1919), Léon & Lévy (active 1864-1917), Phot Leroux (active 1900s-1920s). Views of North Africa. 1890-1910s. 48 gelatin silver prints and 1 collotype print mounted to album pages. Each between 18 x 24 and 22 x 28 cm (30 x 35,5 cm). Most signed, titled and numbered in negative in lower margin, bound in green cardboard-backed album with cloth spine.
This album features notable North African landmarks, including the Al-Zaytuna Mosque in Tunis, the Roman Aqueducts of Zaghouan, and the St. Louis Cathedral in Carthage, along with the Mosque of the Sabres and the Mosque of Sidi Sahbi in Kairouan. Other significant landmarks include the Roman ruins of Djemila, the Arch of Trajan in Timgad, views of the Algiers waterfront, and the Notre Dame d’Afrique basilica. – Some strong fading and signs of oxidation visible alongside edges of some prints, otherwise all in good to very good condition.
Photographers: Alexandre Bougault (1851-1911), Frères Garriques (active 1860s-1890s), and others. Views of North Africa. Late 1890s-early 1900s. 40 albumen and gelatin silver prints mounted to gilt-edged album pages (some foxing). Each between 12,3 x 18 cm and 23 x 39 cm (26 x 37 cm). Some with photographer's name and/or title in the negative in lower margin. Bound in green leather-backed album with gilt-embossed title Northern Africa 1908.
This 1908 album provides a focused visual record of North Africa during the French colonial era, particularly Tunisia and Algeria. Featuring the work of photographers such as Alexandre Bougault and the Garrigues Frères, it captures key landmarks such as the Al-Zaytuna Mosque in Tunis, the Royal Hotel in Biskra, and the oases of Tozeur and Nefta. A notable inclusion is a portrait of Sadok Bey, the last ruler of the Beylik of Tunis. – Some fading and signs of oxidation visible along edges of prints, otherwise in good condition.
Some Japanese Flowers. 1892-1896. 4 albums, containing a total of 36 collotypes on album pages (some loose). Each between 22 x 22 cm and 28 x 24 cm or reverse (40,5 x 27,5 cm). With printed title on interleaf or below image on mount. Bound in original album with silk cord binding (soiled, some creases and tears). Kelly and Walsh Edition, Yokohama.
Kazumasa Ogawa was a key figure in Meiji-era photography and printing, establishing Tokyo’s first photographic studio in 1884 and founding Japan’s leading collotype printing business in 1889. Renowned for his technical innovations and editorial contributions to photography journals, Ogawa gained particular acclaim for his botanical photography. His collotypes of flowers, characterized by meticulous detail and artistry, demonstrate a profound appreciation for floral subjects. Complete albums of Ogawa’s flower photographs, such as these four, are exceedingly rare. – Some scuff marks, small hole on one print, otherwise all in good to very condition.
Calli et canali in Venezia. 1890-91. 39 héliogravures on chamois paper (slightly soiled, minimal foxing). Each ca. 33,5 x 23 cm or reverse (39 x 27,5 cm), Each with letterpress title and editor information above and below image.
Ferdinando Ongania was a prominent Italian publisher and photographer known for his detailed works on Venetian architecture. His series “Calli e Canali in Venezia” (1890-1891) meticulously documented Venice’s streets and canals, capturing both famous landmarks and lesser-known corners of the city. Blending artistic finesse with documentary precision, Ongania’s work provides a comprehensive visual record of Venice in the late 19th century. – Some creases, small tear on one print, otherwise all in good to very good condition.
Lit.: Helmut Gernsheim. Geschichte der Photographie. Die ersten hundert Jahre. Frankfurt a. M. 1983, ill. p. 482.
Ottoman Empire
Portraits of people of the Ottoman Empire
Los 4067
Schätzung
6.000€ (US$ 6,452)
Photographer: Pascal Sébah (1823-1886) and possibly others. Attractive and very comprehensive portrait album showing a wide range of people living in the Ottoman Empire. 1860s-1870s. Circa 400 cartes-de-visite sized albumen prints, mounted to album pages, each annotated in ink in French below the images on the mount (time-stained/soiled in edges), bound in contemporary half leather canvas album (edges rubbed/small tears, corners worn) with gilt embossed title Collection des Types et Costumes de la Turquie par Pascal Sébah.
This exceptionally comprehensive album features portraits of nearly all the peoples and cultures within the Ottoman Empire around 1860-70, as well as neighboring regions under its influence. It vividly illustrates the remarkable diversity of the empire’s political, economic, and cultural life, including portraits of high-ranking officials, officers, and armed personnel in their various uniforms and attire. The collection also includes images of embassy staff, eunuchs, and dwarfs from the Sultan’s court, as well as priests and bishops representing the spectrum of Oriental Christian religions. Additional groups, such as dervishes, mullahs, sheikhs, street vendors, veiled women, farmers, Jews, musicians, pilgrims and beggars, further enrich this extraordinary album. – Some faded in edges, some light scuff marks, otherwise most in very good condition.
Lit.: Bahattin Öztuncay. The Photographers of Constantinople. Pioneers, studios and artists from 19th century Istanbul. Istanbul 2006 (2nd edition), ill. p. 494-499 (street sellers).
Henri Béchard (active 1869-1890) and unknown. Types of the Ottoman Empire. Circa 1865. 23 cdv (3 larger) albumen prints. Some annotated in pencil below the image, each mounted to board.
Some with fading in edges, otherwise in good condition with strong tones.
Paris Commune 1871
Imprisoned women of the Paris Commune Revolt; Protest by the National Guard on the occasion of the Prussian entry into Paris
Los 4069
Schätzung
500€ (US$ 538)
Photographer: Ernest & Eugène Appert. Imprisoned women of the Paris Commune Revolt; Protest by the National Guard on the occasion of the Prussian entry into Paris. 1871. 2 composite albumen prints. 21 x 17 cm and 15 x 21,1 cm. Each mounted to original board, with photographer's name and caption printed below image and first print with names of the detained women on the mount.
One of two photo collages by Ernest Appert features female participants of the Paris Commune at the Chantiers prison. Appert had previously photographed each of them individually and compiled their portraits into this single image. The names of approximately 200 women are printed on the mount. – Some surface scuff marks, one print with minimal foxing, otherwise in good condition.
Nude study in doorway. 1890s. Abumen print mounted to board. 22,5 x 16 cm (32 x 24 cm). Numbered "28" by another hand in pencil on lower right corner of mount.
Wilhelm (Guglielmo) Plüschow, a German photographer primarily active in Naples, Italy, is renowned for his nude studies of young men. While his work was controversial at the time due to its homoerotic themes, it made a significant contribution to the history of photography by incorporating the aesthetics of classical antiquity and romanticism. Despite facing legal challenges, Plüschow’s naturalistic and spontaneous style remained highly influential, shaping the trajectory of artistic nude photography in the late 19th and early 20th centuries. – Scratch visible in negative, small stain in center of print, otherwise in excellent condition.
Nude study. 1890s. Abumen print mounted to board. 22,5 x 16 cm (32 x 24 cm). Numbered "29" by another hand in pencil on lower right corner of mount.
Some light scuff and pressure marks, otherwise in near excellent condition.
Photographers: Becker, C. Hertel (1832-1906), Stengel and unknown. Selected views of the Rhineland. 1880s. Circa 69 albumen prints and 8 collotypes. Each circa 21,7 x 28 cm and reverse. Several with photographer's name in the negative/stamped on verso, many annotated in pencil on the verso.
Some faded in edges, a few nicks in edges, some crease marks, some buckled, some with spots, a few with small tears, some backed, otherwise in good condition.
Photographers: Robert Rive (1825-1889), Michele Mang (active 1860-1880s), and others. Views of Rome. 130 albumen prints mounted to album pages (some loose). Each between 9,3 x 14,3 cm and 20,4 x 27,2 cm (31,7 x 45,3 cm). Most signed, numbered and titled in negative in lower margin. Bound in parchment-backed album (some soiling) with gilt-embossed title and ornamentation.
This album contains a selection of photographs depicting key Roman landmarks, including the Pantheon, Trajan’s Column, the Arch of Constantine, Castel Sant’Angelo and the Villa d'Este along with interior shots of the Musei Capitolini. – Some fading and signs of oxidation along edges of prints, otherwise in good condition.
Photographers: Vasily Gerasimovich Fedorov (1857-1924) and Alexander Mendelevich (dates unknown). Views of Kazan. 1890s. 16 albumen prints mounted to board (slightly soiled, some foxing). Each between 17 x 23 cm and 21,5 x 27,5 cm (23,5 x 31 cm and 24,5 x 34 cm). Most annotated in pencil on verso, 2 with the embossed photographer's signature stamp in lower margin of print, 1 with the publisher's copyright stamp on verso.
This collection of photographs features several significant landmarks in Kazan, Russia, such as the Annunciation Cathedral, Peter and Paul Cathedral, Kazan University, the Agricultural Palace, and the Church of the Exaltation of the Holy Cross. Also included are images of Liberty Square, the Kazan Kremlin, and a prominent view of the Alexander II Monument, which commemorates the Russian emperor’s reforms. – Some scuff marks, some light fading, otherwise all in good to very good condition.
Selected views of Nuremberg. 1870s/1880s/printed 1880s. 9 albumen prints. Each circa 21 x 26,5 cm and reverse. 7 with photographer's blindstamp in lower left corner, 8 with stamped title and distributor stamp on the verso, 1 mounted to board.
A few faded in edges, a few nicks in edges, pressure marks in corners from album page slits, mounted print with red ink stain in lower left, otherwise in very good condition.
Lit.: Centrum für Industriekultur Nürnberg (ed.). Nürnberg 1865-1909, Fotografien von Ferdinand Schmidt. Munich 1987.
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Telefon: +49 30 8938029-0
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© 2024 Galerie Gerda Bassenge
Galerie Bassenge
Erdener Str. 5A
14193 Berlin
Öffnungszeiten:
Montag bis Donnerstag, 10–18 Uhr,
Freitag, 10–16 Uhr
Telefon: +49 30 8938029-0
Fax: +49 30 8918025
E-Mail: info (at) bassenge.com
Impressum
Datenschutzerklärung
© 2022 Galerie Gerda Bassenge