Fashion photo. Circa 1925. Vintage matte gelatin silver print. on chamois paper 22,3 x 29,5 cm. Signed by the photographer in pencil in lower right; photographer's RUE Eugène-Flachat, Paris stamp and number in pencil on the verso.
Madame D'ora's fashion photographs from Paris showcase her remarkable ability to capture the elegance and style of the city's fashionable society during the early 20th century. – Traces of previous mounting on the verso, otherwise a fine tonal print in excellent condition.
"Phototrophy - Detail XII". 2005. Fine art print, accompanied by monograph. 31 x 36,5 cm. Signed and editioned 86/100 by the photographer in pencil on verso. Edition Schirmer/Mosel, Munich, 2004.
Thomas Demand is celebrated for his unique artistic approach, involving the precise creation of life-sized paper and cardboard models that mimic everyday scenes and objects. These models serve as the subjects for his photography, yielding remarkably lifelike images. Demand's art blurs the line between reality and illusion, encouraging contemplation of representation, memory, and perception, particularly in today's digitally manipulable image-driven era, emphasizing the intricate connection between the tangible and the perceived. – In excellent condition. With: Collector's edition of Eckhard Schneider (ed.). Thomas Demand. Phototrophy. English/German edition. 128 pages, 66 color plates. Schirmer/Mosel, Munich 2004. In original grey linen slipcase and grey linen print folder.
"Orléans, France“. 1952/printed 1974. Gelatin silver print. 22,5 x 34 cm. Mounted to board, signed by the photographer in black ink below image on mount; Elliott Erwitt portfolio label signed, therein numbered 2 of portfolio 6 from an edition of 25 on mount verso.
Elliott Erwitt's photographic work is characterized by his candid and often humorous street photography, offering a unique perspective on everyday scenes. His images from Orleans reflect his exceptional ability to distill moments and offer insightful commentary on life's moments, exemplifying his talent for visual storytelling. – Print in excellent condition, lifting off from mount, one small spot on right side of mount.
Provenance: Collection Prof. Hans Kollhoff, Berlin
Lit.: Elliott Erwitt. Snaps. London 2001, ill. pp. 438-439.
Entartete Kunst
Proscription postcards showing works in the "Entartete Kunst" (Degenerate Art) exhibition
Los 4127 [*]
Ergebnis (inkl. Aufgeld) *
750€ (US$ 806)
Proscription postcards showing works in the "Entartete Kunst" (Degenerate Art) exhibition. 1937. 6 vintage gelatin silver photo postcards. Each circa 9 x 14 cm.
The "Entartete Kunst" (Degenerate Art) exhibition holds historical significance as a symbol of the Nazi regime's suppression of artistic freedom, censorship of modern art, and the persecution of artists during the era of National Socialism in Germany. Among the displayed works was Otto Dix's haunting portrayal of four wounded veterans, "Die Kriegskrüppel" (1920), considered a masterpiece of the New Objectivity movement. Unfortunately it went missing in the aftermath of the exhibition. – Corners slightly bumped, otherwise in very good condition.
Photographer: Paul Géniaux (1873-1930). Fashion photos. 1923. 16 vintage gelatin silver prints. Circa 18 x 13 cm. Most with number in the negative in upper/lower corner; most with photographer's stamp and some annotated in pencil on the verso.
Paul Géniaux's photography is distinguished by a unique artistic sensibility, covering a diverse array of subjects, from landscapes and portraits to genre scenes and fashion photography. In the early 1920s, he produced several striking series that beautifully encapsulate the elegance and style of French fashion in the early 20th century. – Edges slightly curled, some with silver mirroring, otherwise in very good condition.
Feininger, Andreas
Rockefeller Center, New York
Los 4129
Ergebnis (inkl. Aufgeld) *
3.125€ (US$ 3,360)
"Rockefeller Center, New York". 1942. Vintage large-format gelatin silver print. 47 x 40 cm. Titled by the photographer on label, affixed in lower left, flush-mounted to board, annotated Please return to Andreas Feininger c/o LIFE PHOTO LAB, 5th floor 9 Rockefeller Plaza, NYC. and signed by the photographer in ink, Life Picture Service stamp and with 2 exhibition labels on mount verso, framed under museum glass in gilded wooden frame with glass backing.
Andreas Feininger's photography in New York is distinguished by his expert handling of light and composition, skillfully capturing the city's urban landscape with a sense of dynamism and allure. His photographs frequently highlight the interaction between architecture, shadows, and human activity, providing a distinct and visually captivating view of the city's lively atmosphere. The two exhibition labels on the verso of the mount confirm that this photograph was featured in two exhibitions during the 1940s, and it stands out as an exceptionally well-crafted print, further enhanced by its rarity in this larger vintage format. – A fine tonal print in very good condition.
Provenance: Collection Prof. Hans Kollhoff, Berlin
Film Photography
Marlene Dietrich for "Dishonored"
Los 4131 [*]
Ergebnis (inkl. Aufgeld) *
813€ (US$ 874)
Photographer unknown. Portrait of Marlene Dietrich for "Dishonored". 1931. Vintage ferrotyped gelatin silver print. 25,8 x 20 cm. Negative number in lower right; annotated in pencil on the verso.
In the 1931 film "Dishonored," Marlene Dietrich delivered a captivating and sophisticated performance as a Viennese prostitute turned Austrian spy during World War I. Her portrayal showcased her alluring and complex character, solidifying her status as an iconic actress of classic Hollywood cinema. – Some handling/crease marks, crease in lower right, a few light surface scratches, slightly soiled, otherwise in good condition.
Film Photography
Shirley MacLaine in "Irma la Douce"
Los 4134 [*]
Ergebnis (inkl. Aufgeld) *
375€ (US$ 403)
United Artists. Shirley MacLaine in "Irma la Douce". 1963. 2 vintage gelatin silver prints. 17,7 x 22,7 cm and 23,5 x 17,8 cm. Negative number and printing/layout marks on recto of one print; typewritten labels, date stamps and newspaper clipping on verso of one print, the other annotated in pencil on verso.
In the 1963 film "Irma la Douce," Shirley MacLaine delivers a charming and endearing performance as Irma, a charismatic and lovable Parisian prostitute. Her portrayal infuses the character with a blend of innocence and charm, establishing her as a pivotal figure in the romantic escapades and comedic scenarios that unravel in this Billy Wilder-directed movie. – Edges slightly rubbed, some handling creases and smudge marks, one print buckled, otherwise in good condition.
Wilhelm Furtwängler. Circa 1920. Vintage gelatin silver print mounted to board. 22,9 x 16,7 cm (37,7 x 29,8 cm). Photographer's studio reference in negative in lower left corner.
Trude Fleischmann's portraits of celebrities are marked by their candid and intimate quality. During the 1920s and 1930s, her Vienna studio became a gathering place for avant-garde artists and cultural figures, leading to the creation of striking portraits that captured the essence and personality of her subjects. Trude Fleischmann's portrait of Wilhelm Furtwängler, a renowned German conductor and composer, is a prime example of her work capturing prominent cultural figures of her time. – Some finger prints, a few retouched spots, some slight oxidation along edges of print, otherwise in good condition.
Florschuetz, Thomas
Untitled. 21.VII.85 (diptych)
Los 4136
Ergebnis (inkl. Aufgeld) *
625€ (US$ 672)
Untitled. 21.VII.85 (diptych). Vintage gelatin silver print. 23 x 11,5 cm (29 x 20 cm). Signed and dated by the photographer in ink below the image in the margin.
Thomas Florschuetz is a prominent German photographer known for his abstract and experimental photographic work. His photographs explore themes of light, form, and texture, often reducing subjects to their essential, minimalist components. His innovative approach challenges traditional photographic conventions, and he has gained international recognition for his influential contributions to contemporary photography. – Handling crease upper left, a few nicks in left edge, otherwise in good condition.
"Argine". 1974. Vintage chromogenic color print on Kodak paper. 14,3 x 21,5 cm (17,4 x 24 cm). Titled by the photographer in ink in margin, lower left; photographer's label on the verso.
Franco Fontana's photographic practice is characterized by his mastery of color, abstraction, and minimalism. His vibrant and abstract compositions often reduce scenes and subjects to their essential forms and colors, creating visually striking and contemplative images. Fontana's innovative approach to color photography has earned him recognition as a pioneering figure in the field, known for his distinctive and influential work. – Creases in margin in lower left, minimal surface scratches, more visible at an angle, otherwise in very good condition.
Harlem, New York. 1963/printed later. Gelatin silver print. 30,2 x 20,4 cm (35,4 x 27,9 cm). Signed, titled and dated in pencil and with the photographer's copyright stamp on verso.
The American photographer Leonard Freed is celebrated for his compelling images of Harlem, especially during the civil rights movement in the 1960s. He adeptly documented the vibrant and intricate life of the Harlem community, highlighting its people, culture, and the social and political issues of the era. Freed's photographs of Harlem provide a distinctive and intimate perspective on this historic neighborhood, offering a documentation of moments that encompass joy, resilience, struggle, and the winds of social change. – Some buckling along upper and lower margin, light surface irregularities visible in raking light, a few scratches on negative otherwise in good condition.
Lit.: Leonard Freed. Black in White America. New York 2010. ill. front cover.
Harlem, New York. 1963/printed later. Gelatin silver print. 33 x 22 cm (35,5 x 27,8 cm). Signed, titled and dated in pencil and with the photographer's copyright stamp on verso.
In excellent condition.
Lit.: Leonard Freed. Black in White America. New York 2010.
Model. 1990s. Vintage polaroid photo. 9 x 11 cm.
Sibylle Bergemann rose to prominence as a significant figure in the field of East German photography, demonstrating a remarkable ability to capture the lives of everyday citizens during the Berlin Wall era. Her unique talent resided in her skill to evoke deep emotions and craft compelling stories within her photographs, effortlessly blending artistic expression with the authenticity of documentary photography. Bergemann's Polaroid snapshots possess a distinctive charm, expertly encapsulating the spontaneity of transient moments. – Some light surface scratches, more visible at an angle, otherwise in very good condition.
Bergemann, Sibylle
DOME (Dominique Hollenstein)
Los 4143
Ergebnis (inkl. Aufgeld) *
938€ (US$ 1,008)
DOME (Dominique Hollenstein). 1990s. Vintage gelatin silver print. 14,7 x 19 cm (17,7 x 24 cm). Signed and titled by the photographer in ink on verso.
This photograph shows Dominique Hollenstein, a German artist and model who emerged as an icon within the East German underground scene, making her a recurring subject in the portfolios of photographers like Sibylle Bergemann, Arno Fischer, Sven Marquardt, and Robert Paris. – Some light creases and scuff marks, otherwise in very good condition.
Kids, Berlin. 1980s. Vintage gelatin silver print. 42,7 x 32,7 cm. Photographer's stamp on verso
Detlef Christel pursued a photography education at the Hochschule für Grafik und Buchkunst Leipzig between 1976 and 1981. Subsequently, from 1982 to 1991, he worked as a photojournalist for the magazine Freie Welt, with a significant focus on capturing the lives of children in the GDR and their transition into adulthood. His approach involved portraying them in candid, everyday scenarios, offering insights into their inner worlds and the surrounding social circumstances. – In excellent condition.
Provenance: From the estate of the photographer
Christel, Detlef
Palast der Republik, Berlin
Los 4146 [*]
Ergebnis (inkl. Aufgeld) *
525€ (US$ 565)
Palast der Republik, Berlin. 1980s. Vintage ferrotyped gelatin silver print. 29 x 39 cm. Photographer's stamp on verso.
The Palast der Republik in Berlin, built between 1973 and 1976, was a notable structure that functioned as both the headquarters of the East German parliament and a hub for cultural activities. It boasted a unique copper-toned exterior and accommodated theaters, art galleries, dining establishments, and various entertainment amenities. – Some surface pitting, light fold mark upper left, otherwise in very good condition.
Provenance: From the estate of the photographer.
Fischer, Arno
West-Berlin, Weihnachtsmarkt, Lustgarten
Los 4147
Ergebnis (inkl. Aufgeld) *
2.000€ (US$ 2,151)
"West-Berlin, Weihnachtsmarkt, Lustgarten". 1952. Vintage gelatin silver print. 18,7 x 28,8 cm. Signed, titled and dated by the photographer in pencil on the verso.
Arno Fischer's photographs of 1950s West Berlin provide a valuable window into the city during a time when it existed as an isolated enclave within East Germany. His images document post-war rebuilding, street scenes, and the city's vibrant cultural life, offering a snapshot of daily life in the pre-Berlin Wall era. Fischer's documentary-style photographs offer a timeless glimpse into the challenges and resilience of the city's inhabitants during this period, making them valuable historical records and works of art. – Corners bumped and lower left corner with creases, small fold mark in right edge, otherwise in good condition.
Fischer, Arno
West-Berlin, Kurfürstendamm
Los 4148
Ergebnis (inkl. Aufgeld) *
2.000€ (US$ 2,151)
"West-Berlin, Kurfürstendamm". 1956. Vintage gelatin silver print. 18,7 x 28,8 cm. Signed, titled and dated by the photographer in pencil on the verso.
Corners bumped and with small creases, a few light handling marks, otherwise in good condition.
Lit.: Elke aus dem Moore/Matthias Flügge (eds.). Arno Fischer. Fotografie (exhibition catalog). Ostfildern 2009, ill. p. 36.
"West-Berlin, Masurenallee". 1958/printed 1980s. Gelatin silver print. 27,5 x 40,8 cm. Signed, titled and dated by the photographer in pencil and with photographer's oval stamp on the verso.
In excellent condition.
Lit.: Elke aus dem Moore/Matthias Flügge (eds.). Arno Fischer. Fotografie (exhibition catalog). Ostfildern 2009, ill. p. 149.
Fischer, Arno
West-Berlin, 1. Mai Tiergarten
Los 4150
Ergebnis (inkl. Aufgeld) *
1.750€ (US$ 1,882)
"West-Berlin, 1. Mai, Tiergarten". 1959/printed 1980s. Gelatin silver print. 27,5 x 42 cm. Signed, titled and dated by the photographer in pencil and with photographer's oval stamp on the verso.
A few retouched lines, otherwise in excellent condition.
Lit.: Elke aus dem Moore/Matthias Flügge (eds.). Arno Fischer. Fotografie (exhibition catalog). Ostfildern 2009, ill. p. 54.
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Galerie Bassenge
Erdener Str. 5A
14193 Berlin
Öffnungszeiten:
Montag bis Donnerstag, 10–18 Uhr,
Freitag, 10–16 Uhr
Telefon: +49 30 8938029-0
Fax: +49 30 8918025
E-Mail: info (at) bassenge.com
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© 2024 Galerie Gerda Bassenge
Galerie Bassenge
Erdener Str. 5A
14193 Berlin
Öffnungszeiten:
Montag bis Donnerstag, 10–18 Uhr,
Freitag, 10–16 Uhr
Telefon: +49 30 8938029-0
Fax: +49 30 8918025
E-Mail: info (at) bassenge.com
Impressum
Datenschutzerklärung
© 2022 Galerie Gerda Bassenge