India, Rajasthan. Circa 1978/printed circa 1985. Dye transfer print. 24,5 x 37 cm (41 x 52 cm). Unsigned, with printer's stamp and signed by the printer in pencil on the verso.
A fine print in very good condition.
Slevogt, Max
Portraits of the painter Max Slevogt
Los 4273
Ergebnis (inkl. Aufgeld) *
1.063€ (US$ 1,142)
Photographer unknown and Hugo Erfurth (1 photo postcard). Portraits of the painter Max Slevogt. 1918-1930. 15 vintage gelatin silver prints. Between circa 13,5 x 9 cm, 16 x 12 cm and 19 x 16 cm. Most mounted to card/matted.
Max Slevogt was a highly influential German painter and printmaker renowned for his contributions to Impressionism and German Expressionism. Slevogt's work is characterized by its vibrant and atmospheric landscapes, often depicting gardens, sunlight, and leisure activities. He was also associated with the Berlin Secession and ventured into Expressionism during his career. The images comprise Max Slevogt painting in his studio circa 1930, Slevogt painting in 1918 outdoors as well a group portrait of the Berliner Secessionists and Slevogt's funeral. – Some with silver mirroring in edges, otherwise in very good condition.
Slevogt, Max
Portraits of the painter Max Slevogt
Los 4274
Ergebnis (inkl. Aufgeld) *
1.125€ (US$ 1,210)
Photographer unknown. Portraits of the painter Max Slevogt. Mid-1920s. 7 vintage gelatin silver and 2 pigment prints. Between circa 12 x 8 cm, 14 x 9 cm and 21 x 16 cm. Most mounted to card/matted.
The images comprise three close-up portraits of Max Slevogt as well as several images of the artist being modelled for a bust sculpture. – Some with silver mirroring in edges, otherwise in very good condition.
Steinberg, Uwe
Abschied Elfriede Schielski
Los 4275
Ergebnis (inkl. Aufgeld) *
1.000€ (US$ 1,075)
"Abschied Elfriede Schielski". 1971/printed later. Gelatin silver print. 25 x 37,5 cm (27 x 39,5 cm). Titled and dated in pencil, with the photographer's stamp on verso.
Uwe Steinberg, an exceptional photographer and chronicler of his time, skillfully navigated beyond the confines of official perspectives to capture the authentic essence of individuals. He harnessed photography as an autonomous medium, even within the constraints of a socialist context. Steinberg's extensive body of work, spanning various themes such as labor, daily life in the German Democratic Republic, and portraits of youth, serves as a testament to his discerning choice of subjects and his mastery of composition techniques. – Upper right corner bumped, some surface irregularities, otherwise in good condition.
Rhön Glider Competition. Early 1930s. Vintage gelatin silver print on strong chamois paper. 12 x 16,5 cm. Photographer's stamp, copyright/reproduction limitation stamps and typed press text label on the verso.
Alexander Stöcker, a versatile German photographer, is celebrated for his diverse portfolio encompassing aviation, sports, and early 20th-century history, particularly his meticulous documentation of the groundbreaking 1930 Rhön Glider Competition, a pivotal event that spurred significant advancements in aviation and gliding. – Corners minimally bumped, otherwise in excellent condition.
Provenance: The estate of the photographer
Structural study (dead wood). 1930s. Vintage gelatin silver print on chamois Agfa-Brovira paper. 29,5 x 22 cm. Estate stamp and note in pencil on the verso.
Between 1929-1931, Elsa Thiemann's formative years at the Bauhaus in Dessau were marked by influential teachers like Josef Albers, Joost Schmidt, and, notably, Walter Peterhans, who guided her in photography. Her artistic development was strongly shaped by the New Objectivity movement and an emphasis on advertising photography in her Bauhaus education, instilling in her a deep appreciation for structure and innovative composition. Here she met her future husband, the painter Hans Thiemann, in 1930. Following her studies, she returned to Berlin in 1931, embarking on a career as a freelance press photographer until 1960 when she relocated to Hamburg with her husband, who had been appointed as a Professor at the Hochschule für Bildende Künste. – Horizontal crease mark in mid portion, otherwise in very good condition.
Provenance: From the estate of the photographer
Design for wallpaper.1930-31. Unique vintage ferrotyped gelatin silver print collage. 49,7 x 42,3 cm. Mounted to board, photographer's estate stamp on mount verso.
Lifting off of mount in edges, some retouched spots/lines, some handling dents, some mirroring in edges.
Provenance: From the estate of the photographer
Lit.: Annemarie Jaeggi/Margot Schmidt (eds.). Elsa Thiemann: Fotografin. Bauhaus und Berlin. Berlin 2004, see pp. 18-27.
Design for wallpaper.1930-31. 4 unique vintage gelatin silver prints, finely hand-colored, mounted as a collage. 48 x 31,8 cm. Mounted to board; photographer's estate stamp and number 863 in red crayon and annoated in pencil on mount verso.
This unique photo collage is the only known color work by Elsa Thiemann. – Some photos lifting off mount, some light soiling, a few creases, otherwise in good condition.
Provenance: From the estate of the photographer
Lit.: Annemarie Jaeggi/Margot Schmidt (eds.). Elsa Thiemann: Fotografin. Bauhaus und Berlin. Berlin 2004, see pp. 18-27.
Thiemann, Hans and Elsa
Zwanzig Fotomontagen 1930-1933
Los 4281
Ergebnis (inkl. Aufgeld) *
813€ (US$ 874)
"Zwanzig Fotomontagen 1930-1933". 20 gelatin silver reproduction prints in clamshell box (edge wear and tears on recto and verso) with index page. Each circa 30,3 x 19,7 cm (40,2 x 30 cm). Each print titled, dated and numbered on original on lower margin of recto, mounted to black card. Edition from 1977.
Some minor scuff marks on mounts of prints, otherwise fine tonal prints in very good condition.
Trülzsch, Holger and Vera Lehndorff
Verschlossene Haustüre, Paros
Los 4282
Ergebnis (inkl. Aufgeld) *
750€ (US$ 806)
"Verschlossene Haustüre, Paros 1977". 1977/printed 1979. Dye transfer print. 27,5 x 39,8 cm (61 x 51 cm). Signed, titled, dated and numbered 10/15 in pencil as well as artists' copyright stamp on verso.
Renowned German photographer and painter Holger Trülzsch collaborated with the internationally celebrated supermodel Vera "Veruschka" Lehndorff to produce a diverse and compelling body of work during the 1970s and 80s. The highlighted pieces are drawn from their collaborative body-art project titled "Trans:figurations." These images prominently feature the colors of oxidation, showcasing rust, soot, and chalk, which are beautifully rendered in the dye transfer prints. – Some buckling and discoloration from previous mounting in edges, otherwise in very good conditon.
Lit.: Lehndorff & Trülzsch, Veruschka, Trans-figurations, Bullfinch Press, 1988.
Oxydationen. Vera Lehndorff & Holger Trülzsch. Museum für Kunst und Gewerbe Hamburg 1979.
Selected images. Circa 1947-60/printed 1970s. 5 gelatin silver press prints (3 on RC paper). Each circa 16 x 16 cm (25,3 x 20 cm). Each signed by the photographer in crayon and annotated in another hand on the verso.
The Japanese photographer Shoji Ueda has a distinctive and poetic approach to photography. From Tottori, Japan, he frequently used the local sand dunes as his canvas, rendering their surreal beauty and turning them into otherworldly landscapes. His minimalist compositions, often featuring solitary figures or everyday objects against the vast sandscapes, evoke a sense of quiet contemplation, inviting viewers to appreciate the harmonious blend of nature and human presence. This set inlcudes "Sand Dunes", "Landscape with Women", "Kogitsune Tanjō (Appearance of a Fox Cub)" and others. – Some light traces of use, otherwise in good condition.
Dance images. 1936. 8 vintage ferrotyped gelatin silver prints. Each circa 12 x 8,7 cm. Each with PHOTO UMBO Berlin-Grunewald Niersteiner Str. 6 stamp and annotated in pencil on the verso.
Otto Umbehr, known as UMBO, played a significant role in avant-garde and modernist photography during the early 20th century. His exceptional photographs of dancers exemplify his innovative approach to this art form, portraying the grace, energy, and fluidity of dance in a manner that surpasses conventional representations. UMBO's images of dancers are characterized by dynamic compositions and a compelling use of light and shadow, imparting a palpable sense of motion and vitality to each frame. One of these photos features the dancer Gret Palucca. – Traces of previous mounting on the verso, several light handling marks, some silver mirroring in dark areas, otherwise in good condition.
Nina Hagen. Circa 1995/printed 2016. Chromogenic print on Kodak Professional Endura paper. 20,2 x 27,5 cm. Signed by Nina Hagen in marker on recto.
Nina Hagen is a German singer, songwriter, and actress known for her groundbreaking contributions to punk and new wave music, characterized by her powerful vocals and provocative stage presence. – Corners slightly bumped, minimal handling marks, otherwise in very good condition.
Wall, Danny
The Beatles performing at Star-Club, Hamburg
Los 4287
Ergebnis (inkl. Aufgeld) *
500€ (US$ 538)
"The Beatles performing at Star-Club, Hamburg". 1962/printed later. Gelatin silver print. 26,8 x 26,8 cm (40,5 x 30,3 cm). Star-Club blindstamp in lower margin; copyright/edition stamp, therein numbered in pencil on the verso. From an edition of 250.
An early photograph taken by Danny Wall showing the Beatles during their residence at the Star Club in Hamburg, Germany. – Small nick in upper right corner in margin, otherwise in excellent condition.
Wendlandt, Kurt
Aus dem 'Ossian'-Zyklus: Siehe der Mond erscheint, die Felsen stehen grau" (Lichtgraphik - Fotogramm, Solarisation
Los 4288
Ergebnis (inkl. Aufgeld) *
1.500€ (US$ 1,613)
"Aus dem 'Ossian'-Zyklus: Siehe der Mond erscheint, die Felsen stehen grau" (Lichtgraphik - Fotogramm, Solarisation). 1975. Unique large-format vintage gelatin silver print on photo canvas. 35,5 x 48 cm. Mounted to grey board (56,5 x 70 cm), signed, titled and dated by the photographer in pencil below the image on the mount; titled and dated by the photographer in pencil on mount verso.
Kurt Wendlandt, a versatile artist in painting, printmaking, photography, writing, and illustration, emerged as a highly creative figure in postwar West Germany. After studying at the State Academy of the Arts from 1937 to 1943 and briefly pausing his artistic work due to a war injury, he resumed his creative journey after World War II. In 1958, he began experimenting with transparent materials, leading to his first Lichtgraphiken, and his close friendship with Heinz Hajek-Halke positioned them at the forefront of Berlin's avant-garde "Lichtgraphik" movement during the 1960s. Despite limited commercial recognition, Wendlandt's light graphics and other works are now housed in numerous museums and collections. – In excellent condition.
Provenance: The estate of Kurt Wendlandt.
Photographs. 1936-1942/printed 2017. 10 giclee prints. Each circa 29 x 21 cm (39,5 x 29,5 cm). Each with edition stamps and numbered in red pencil on the verso, matted. In original black linen case (some light scuff marks) with printed title page, from an edition of 25, published by Ton Peek Gallery, Netherlands 2017.
Born in Colombo, Lionel Wendt began his photography journey in the 1930s and played a crucial role in establishing the 43 Group, a collective of artists known for their modern, contemporary, and Sri Lankan-inspired artwork. Wendt was a versatile photographer, employing various techniques like photograms, photomontage, double printing, and solarisation. His works are held in esteemed collections worldwide, including the Kiran Nadar Museum of Art, New Delhi; Tate, London; the Metropolitan Museum, New York and the Rijksmuseum, Amsterdam. – Prints in very good condition.
Woodman, Francesca
Self-Portrait (N3017.1/New York)
Los 4292
Ergebnis (inkl. Aufgeld) *
6.750€ (US$ 7,258)
"Self-Portrait (N3017.1/New York)". 1979/printed 1999. Gelatin silver print. 12,7 x 12,7 cm (25,2 x 20,4 cm). With the Francesca Woodman PE/FW estate stamp, signed and numbered 13/40 by Betty & George Woodman on verso.
Francesca Woodman was an American photographer known for her striking and introspective black-and-white self-portraits. Her body of work delved into themes of identity, vulnerability, and the human form, utilizing experimental techniques and compositions to produce haunting and surreal imagery. Unfortunately, Woodman's life was tragically cut short when she took her own life at the age of 22. Nevertheless, her photography endures as a celebrated expression of a unique artistic vision and maintains its influence on contemporary photography and feminist art. Woodman's work has achieved international recognition and is showcased in prominent museums and galleries worldwide, including the Museum of Modern Art, the Metropolitan Museum, Tate Modern, the Stedelijk Museum, and the Centre Pompidou in Paris. – Upper left corner slightly bumped, otherwise in excellent condition.
Ball bearing. 1950s. Vintage ferrotyped gelatin silver print on Agfa paper. 19,5 x 29,5 cm. Photographer's and SAAR stamp and number in pencil on the verso.
Ludwig Windstosser's work is a testament to his passion for capturing the beauty and essence of architectural forms and the built environment. He meticulously documented architectural details, landscapes, and everyday scenes, with a profound appreciation for the aesthetic qualities of structures and their relationship to their surroundings. His photographs are characterized by a keen sense of composition and attention to detail, offering viewers a visually compelling journey through the architectural wonders of Germany and beyond. – Corners bumped, some creases in upper right corner, a few light handling marks/creases, a few retouched spots, otherwise in very good condition.
Guilin, China. 1984. Vintage chromogenic print. 24 x 30 cm. Titled and signed by the photographer in gold ink in lower margin.
The German photographer Reinhart Wolf is celebrated for his remarkable contributions to fashion and portrait photography. His portfolio radiated elegance, meticulous attention to detail, and a unique sense of style, establishing him as a highly sought-after photographer within the fashion and entertainment realms. He not only crafted iconic portraits of celebrities, models, and artists but also ventured into the realm of landscape and architectural photography, leaving an enduring mark on the world of photography with his versatile and influential body of work, including his notable creations in China. – A few light handling marks, small pinhole in upper margin, otherwise in good condition.
Photographer: Carl Drausfeld, Benninghoven and Bufa. Images of World War I. 1914-1918. 7 vintage gelatin silver prints. Each 22,5 x 27,5 cm. Most with photographer's name, number and Paul Hoffmann & Co. censorship logo in the negative in lower edge; most with printed text label on the verso.
This lot comprises a range of World War I scenes, depicting soldiers setting up their equipment, engaging in combat, generals strategizing maneuvers, and views from a field post office distributing mail to the troops. – Slight traces of use, oxidation mirroring in edges, otherwise in good condition.
Various views of Tarnow. 1940. 42 vintage silver gelatin prints mounted to album pages. Each ca. 9,4 x 7,2 cm and vice versa (21 x 30 cm). Album pages annotated and numbered in pencil.
This collection features images of Tarnow, a Polish town, during the German occupation. Tarnow once had one of Eastern Europe's most ideologically diverse Jewish populations, which is showcased in depictions of the local Jewish community. The set also includes views of the New Synagogue in Tarnow, one of Europe's largest synagogues, tragically destroyed by the Nazis in 1939. – Album pages brittle, prints mostly in good condition with strong contrasts.
World War II/Displaced Persons
Jewish Displaced Persons camps in Vienna or Salzburg
Los 4302
Ergebnis (inkl. Aufgeld) *
1.625€ (US$ 1,747)
Photographer: Wolf Schärf. Jewish Displaced Persons camps in Vienna. Circa 1946-1948. 33 vintage ferrotyped gelatin silver prints. Each circa 8,5 x 13,5 cm. Each with photographer's stamp in lower left/right corner.
Following World War II, Jewish Displaced Persons (DPs) in Austria and Germany mainly consisted of Holocaust survivors who had been left homeless and stateless due to the war's destructive impact. These individuals were initially accommodated in DP camps, which played a crucial role in offering them essential support, including food, medical care, and educational services. Various organizations, including Jewish relief agencies, worked tirelessly to help DPs recover from the trauma of the Holocaust, reunite with surviving family members, and find a path to a better future. Their ultimate objective was to facilitate the emigration of these survivors to countries like Israel and the United States, where they could rebuild their lives, form new communities, and make valuable contributions to their adopted societies. This transition marked a significant step in their journey towards recovery and resilience. – In very good condition.
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* Alle Angaben inkl. 25% Regelaufgeld ohne MwSt. und ohne Gewähr – Irrtum vorbehalten.
Galerie Bassenge
Erdener Str. 5A
14193 Berlin
Öffnungszeiten:
Montag bis Donnerstag, 10–18 Uhr,
Freitag, 10–16 Uhr
Telefon: +49 30 8938029-0
Fax: +49 30 8918025
E-Mail: info (at) bassenge.com
Impressum
Datenschutzerklärung
© 2024 Galerie Gerda Bassenge
Galerie Bassenge
Erdener Str. 5A
14193 Berlin
Öffnungszeiten:
Montag bis Donnerstag, 10–18 Uhr,
Freitag, 10–16 Uhr
Telefon: +49 30 8938029-0
Fax: +49 30 8918025
E-Mail: info (at) bassenge.com
Impressum
Datenschutzerklärung
© 2022 Galerie Gerda Bassenge