Third Reich
NSDAP Parade during a Parteitag in Nuremberg
Los 4336
Ergebnis (inkl. Aufgeld) *
375€ (US$ 391)
Third Reich
Photographer: Presse-Bild-Zentrale, Braemer & Güll. NSDAP Parade during a Parteitag in Nuremberg. 1930s. Vintage ferrotyped gelatin silver press print. 24,5 x 18 cm. Presse Bild Zentrale agency stamp on the verso.
Buckling in upper area, otherwise in very good condition.
Tikhomirov, Nicolas
Orson Welles on location in Spain while filming "Chimes at Midnight"
Los 4338
Ergebnis (inkl. Aufgeld) *
1.500€ (US$ 1,563)
Orson Welles on location in Spain while filming "Chimes at Midnight". 1964/printed later. Gelatin silver print. 35,5 x 23,5 cm (41 x 30,5 cm). Photographer's blindstamp in lower margin; signed by the photographer in pencil on the verso.
In excellent condition.
"Bourgogne, France". 2009. Chromogenic print on Fujicolor Crystal Archive paper. 20 x 25,2 cm. Label signed by the photographer in ink and with printed title and date on the verso.
Light impression mark in upper left corner, otherwise in very good condition.
Untitled (The Lovers). 1990/printed 1992. Large-format Polaroid print. 86 x 56 cm. Signed, dated and dedicated by the artist in ink in margin lower right.
In 1983, the partners Marina Abramović and Ulay announced their ultimate collaboration: "The Lovers". They proposed to be the first people to walk the Great Wall of China. Setting off alone from opposite ends, they planned to meet in the middle, where they would marry. Exhilarated by the emotional and physical scale of "The Lovers", the pair imagined themselves walking alone across great expanses of the Chinese landscape, camping under the stars and concluding the journey with the ultimate commitment. They saw "The Lovers" as an odyssey and a performance in which they alone would be both players and audience.
In 1986, they went to China to visit parts of the Great Wall, to familiarise themselves with it and meet some of the villagers they would be staying with. Permission was finally granted for the walk to take place the following year. Then, the authorities postponed it again. By that time the artists had decided to separate as partners but still carried out the project. Abramović and Ulay began their walks on March 30, 1988, from either end of the Great Wall, known to the Chinese as 'The Sleeping Dragon'. This image shows Ulay's translator with a symbol of the project. – Tear in right edge near lower corner (circa 2 cm), otherwise in very good condition.
Unknown Photographer
View of the Erasmuskapelle in the Berlin Stadtschloß
Los 4341
Ergebnis (inkl. Aufgeld) *
1.375€ (US$ 1,432)
View of the Erasmuskapelle in the Berlin Stadtschloß. Late 1920s. Vintage warm-toned gelatin silver print on chamois paper. 21,5 x 16,2 cm. Mounted to board, annotated in pencil on the verso.
The Erasmus chapel from the time of Elector Frederick II of Brandenburg (1413-1471) has always belonged to the oldest part of the Berlin Palace. Under Frederick the Great, the chapel was heavily modified in 1742 and divided into two floors. This created a relatively low room under the vault, which served Frederick William IV as an apartment from about 1824. The photograph offered here represents the state in the 1920s, when the palace, as well as the chapel, were already a museum. – A rich tonal print in excellent condition.
Hand. 1930s. Vintage gelatin silver print on chamois paper. 16,8 x 22,5 cm.
Silver mirroring in edges, otherwise a fine tonal print in excellent condition.
Unknown Photographer
Neon lights in Frankfurt at night (multiple exposure)
Los 4344
Ergebnis (inkl. Aufgeld) *
375€ (US$ 391)
Neon lights in Frankfurt at night (multiple exposure). 1960s. Vintage gelatin silver print on Agfa-Portriga-Rapid paper. 16 x 23,5 cm. Annotated in pencil on the verso.
Minimal silver mirroring in upper edge, small crease mark in lower edge, otherwise in very good condition.
Monmartre, Paris. 1950s. Vintage matte gelatin silver print. 39 x 29 cm. Mounted to board.
A rich tonal print in excellent condition.
"Lanterns, Hong Kong" from the series 'Watch the Weather Change'. 2011. Fine Art print 2014. 44 x 32,5 cm (52,5 x 42 cm). Signed by the photographer in pencil on the verso. From an edition by Griffelkunst-Vereinigung Hamburg e.V.
A fine print in excellent condition.
Intersection. Circa 1932. Vintage, large-format matte gelatin silver print. 25,3 x 33 cm. Mounted to black paper and mounted to mat board (traces of use).
Corners minimally bumped, some minimal surface pitting, otherwise a fine tonal print in very good condition.
Provenance: Phillips, The Seagram Collection of Photographs, April 25/26 2003, lot 243.
Exhibition: Montclair Art Museum, New Jersey, "City Scenes", Sept. 27, 1997-Jan. 4, 1998.
Windstosser, Ludwig
Schiller monument, Stuttgart
Los 4354
Ergebnis (inkl. Aufgeld) *
375€ (US$ 391)
Schiller monument, Stuttgart. Late 1940s. Vintage ferrotyped gelatin silver print on Agfa-Brovira paper. 17,7 x 18 cm (17,7 x 23,5cm). Photographer's stamp and title stamp on the verso.
Edges curled, a few light handling marks, scuff mark to ferrotype surface in right area and near upper edge, otherwise in good condition.
Windstosser, Ludwig
Steelworks and workers, coal mining
Los 4355
Ergebnis (inkl. Aufgeld) *
1.063€ (US$ 1,107)
Steelworkers and coal miners. 1950s. 3 vintage ferrotyped gelatin silver prints, 1 on Agfa-Brovira paper. Circa 28 x 22 cm. Each with photographer's stamp and annotated in pencil/marker on the verso.
Edges curled, two prints with creases in upper right corner (1 retouched), one also with horizontal crease in left area, otherwise in very good condition.
Düsseldorf. 1950s. Vintage ferrotyped gelatin silver print. 29,5 x 23 cm. Photographer's stamp and annotated in pencil on the verso.
Edges slightly curled, otherwise in very good condition.
Wols
The Swiss musical clown performer Grock (Charles Adrien Wettach)
Los 4357
Ergebnis (inkl. Aufgeld) *
2.500€ (US$ 2,604)
(Attributed to). The Swiss musical clown performer Grock (Charles Adrien Wettach, 1880-1959). Circa 1936/37. Vintage gelatin silver print on chamois paper. 14,2 x 9 cm. Signed by the photographer in ink in lower right corner; annotated in pencil/red crayon on the verso.
After a touring career in Europe and overseas that began before WWI, Grock returned to Berlin for the first time in 1924. He added a second costume to his original one with oversized plaid pants, jacket, shoes and matching cap. In 1925, he performed in Paris for over eight months. After touring South America, he traveled to Italy with his own troupe in 1928 and performed again in Paris in 1929/30. Even after that, various occasions often took him back to Paris. Between circa 1936 and 1939, the photographer Wols also worked in Paris and maintained close friendly contacts with actors, writers and artists. If the portrait offered here is indeed by Wols, it was probably taken during this period, as he only began using the pseudonym "Wols" circa 1937. However, the signature is somewhat unusual: "f. Wols Paris ..." (f.=foto?) . This photograph is originally from a German collection of various portraits of actors from the 1940s. – Minimal nicks in edges, otherwise in very good condition.
World War I
Documentation album of a German officer of the "Kriegsmarketenderei",
Los 4358 [*]
Ergebnis (inkl. Aufgeld) *
813€ (US$ 846)
Documentation album of a German officer of the "Kriegsmarketenderei". Circa 1915-17. Circa 44 vintage gelatin silver prints. Various sizes, most 12 x 16 cm and smaller. Mounted to album pages (some wear), each with caption label below the image on the mount, bound in contemporary paper album (slight wear) with printed title Die Kriegsmarketenderei der 2. Armee 1915-1917.
The theme of this album is the so-called "Kriegsmarketenderei", i.e. the food and material supply of the troops in World War I. The photographs show large confiscated buildings in Belgium and northern France filled with civilian necessities for the soldiers. The stores and warehouses contain food and luxury goods of all kinds, such as wine and spirits, canned food, tobacco products, textiles and uniforms, tools and photographic equipment for the front photographers etc. – Most photos with silver mirroring in edges, otherwise in good to very good condition.
World War I
Panoramic view of Ochsenfeld, Tanner-Tal und Höhe 425
Los 4359
Ergebnis (inkl. Aufgeld) *
750€ (US$ 781)
Photographer: German Armee-Raum & Lichtbildgruppe der Verm(messungs) Abt. 13 u. 25 (Württ). Panoramic view of Ochsenfeld, Tanner-Tal und Höhe 425 (Alsace). 1917. 7 gelatin silver prints mounted as a panorama (entire size circa 13,3 x 149 cm), mounted to card (some toning), detailed handwritten notations above images on mounts, folded concertina style with handwritten title in German in ink on front cover.
A rare military document from WWI with high contrast photos. – Some oxidation mirroring in edges, some scuff marks/ surface rubbing, otherwise in very good condition.
Yva
Model with jewelry from the Museum für Völkerkunde, Berlin
Los 4360
Ergebnis (inkl. Aufgeld) *
1.500€ (US$ 1,563)
Model with jewelry from the Museum für Völkerkunde, Berlin. 1932-33. Vintage warm-toned, ferrotyped gelatin silver print. 22,3 x 13,3 cm. Mounted to card.
Slight buckling from mounting, otherwise a warm-tone print in very good condition.
Lit.: Marion Beckers/Elisabeth Moortgat. Yva. Photographien 1925-1938. Berlin 2001, ill. p. 159.
Zeppelin
The airship Graf Zeppelin LZ 127 flying over Berlin
Los 4361
Ergebnis (inkl. Aufgeld) *
813€ (US$ 846)
Photographer unknown. The airship Graf Zeppelin LZ 127 flying over Berlin. 1928. Vintage gelatin silver print. 15,5 x 12 cm. Mounted to board.
Slight buckling from mounting in upper corners, minimal silver mirroring in lower edges, otherwise a fine tonal print in very good condition.
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© 2024 Galerie Gerda Bassenge
Galerie Bassenge
Erdener Str. 5A
14193 Berlin
Öffnungszeiten:
Montag bis Donnerstag, 10–18 Uhr,
Freitag, 10–16 Uhr
Telefon: +49 30 8938029-0
Fax: +49 30 8918025
E-Mail: info (at) bassenge.com
Impressum
Datenschutzerklärung
© 2022 Galerie Gerda Bassenge